Wednesday, December 17, 2025

The mystery of an actor in both "Superman" [1978] and "Batman" [1989]

Superman.

Batman.

Mystery Man.

In Superman: The Movie [1978], a thief uses suction cups to climb a high-rise in search of another score, but is cheekily intercepted by Superman.


In Batman [1989], a man [initially suggested to be Thomas Wayne, father of Bruce] leads his wife and young son on a shortcut through an alley where he is assaulted and his family is robbed.


That criminal and that victim have something in common. 

Both small but memorable roles were played by David Baxt—one of only two actors to appear in both of those pioneering DC Comics superhero films. [The other was George Lane Cooper, who died in 2002.]


I discovered this only recently, which is why it’s taken this Superman/Batman nostalgist this long to try to find and interview David.

The same day I began my search, I learned that I am the first known writer to try to find David, but not the first person

Alas, this story—at the moment—does not have a happy ending.

On IMDb, David’s first credit was in 1976, and his last in 2000. Long ago enough to all but confirm that he no longer has an agent. 

Another culturally significant film featuring David is The Shining [1980], in which he played the forest ranger who offers a lifeline of sorts to Shelley Duvall’s character over a CB radio as a winter storm rages. 


He also did stage work.

He is described as Canadian-British, which had me looking for him in Ottawa and London, but quick searches in directories either yielded nothing or would cost something. 

Over the years, when on the trail of other “lost” performers of the pre-internet era, I have stumbled upon a snippet of info in a throwaway comment on Reddit or some other forum. These rare clues, often casually posted by former classmates, can be the tipping point in finding someone.

I found no such nuggets on David.

So I turned to one of the most invaluable sources in such instances: obituaries. Names are gold. Unusual names like “Baxt” are gold-coated diamonds. [“Baxter” would have been a nightmare.]

I found obituaries for multiple family members, but none yielded easily searchable names—or they had names of others who were also dead.

Finally I came across David’s half-brother Joshua, who lives in California. I messaged him. He responded quickly—and chillingly:

“Unfortunately David self-disappeared around 20 years ago. We have not heard from him since. If he’s alive, he’s off the grid somewhere. I wish I had more for you.”

Oh, but he did. Because he kindly added “Feel free to call if you want more details.”

I did, immediately. I also Zoomed with David’s sister Susan. With their permission, I’ll share what I learned.

David was born in New Jersey on July 21, 1947. His sister Susan is four years older, Josh 14 years younger. David was not close with either sibling. He and Josh share a biological father but didn’t grow up together. Though they got along fine, they “weren’t brothers in any real sense.”

When David was three-and-a-half, the family moved to Montreal. He may have had an undiagnosed learning disability. Reading could be a struggle, but he was smart.

He was offered a scholarship to study opera at McGill…odd for someone who had no interest in opera. Susan didn’t know how it came about. David turned it down in favor of the School of Dramatic Arts in Montreal. He would busk to help pay for his education, along with a friend. 

After finishing the program, David relocated to London which had a richer theater tradition; he also did movies and TV to help pay bills. He had a good agent. He had a circle of friends.

Josh and their family visited him when Superman was filming in New York. Though David’s part was small—apparently he had a line, but it did not make the final cut—they’d put him up in a big suite at the Waldorf Astoria. Josh recalled that they were shooting his scene at 2 a.m. [Time-and-a-half was involved.] Their dad was proud of David’s work.

Those 85 seconds of screen time earned David enough to live on for a year.

That unused line, as far as Josh remembered: “I wasn’t doin’ nothing.”

[Alas, Josh doesn’t think they took photos on set.]

“David was smart, kind and funny, though not in a joking way,” Josh said. “He tended towards wry observations. I stayed with him in London a couple of times, and he always took good care of me.”

David had asthma, which worsened over time and impacted his acting career. Around 1997, David came to California and stayed with his dad and stepmom, but their cat triggered an allergic reaction that sent David to the hospital. He recovered…but that was the last time Josh saw him.

Josh and David had been exchanging letters when their father died in 2002, but that eventually stopped. 

David and his father, 1992

There was no falling out. There was no explanation. There was no trace.

David’s mother passed away several years later. Susan tried to reach David, to no avail. Because they had inheritance matters to address, they hired a private investigator. The PI found that David had sold his London apartment sometime around 2006 and left no forwarding address. But the PI didn’t find David.

At the time, however, it was determined that David was still receiving residual checks…somewhere.

As of the family’s last contact with David, he dated women but had not married nor had kids. He has never met Josh’s kids, who are now adults.

David liked the sun and, due to his asthma [and bronchitis], benefitted from certain climates, so Josh imagines he may have settled in a small village along the Mediterranean. 

Josh presumes that David would hate the digital society we live in now. Even in the analog era, David was a Luddite who got an answering machine because he didn’t want to miss calls about auditions, but was resentful of “the stupid thing.”

As I mentioned, I’m the first writer to reach Josh or Susan about David, but every few years, Josh hears from a friend of David’s. A quarter century on, his inner circle is still holding out hope.

Susan doesn’t feel that Josh committed suicide. Though not counting on it, Josh doesn’t rule out David showing up again one of these days.

Which is one of the two reasons I’m posting this. Someone may see it and come forward with info—maybe a tipping point nugget that will solve the mystery.

This has happened with my work before [see here, here].

The other reason I’m posting this sad story is, of course, that it’s also a good story about a good man. 

If you know anything about David Baxt, please reach out. 

Monday, December 15, 2025

"Legendary" school visits - IASL newsletter

In 2024, I recorded a talk on censorship for an International Association of School Librarianship conference. 

The December 2025 newsletter for IASL, Region 4 [Latin America & Caribbean], humbled me with this profile:


"...his school visits have become legendary for their energy, humor, and impact. Marc is the rare author whose real-life adventures often rival the stories he writes. During his visit to Tanzania, for instance, a UFO reportedly crashed on campus the night before he arrived!"

Sunday, December 14, 2025

All non-Christian authors are evil

In September 2023, on day 9 of 10 of a trip to speak at 10 schools in San Antonio, TX, a parent complained that in my assemblies for grades 3 and up, I said someone in my story was gay. This parent did not hear my talk, read my book, see my film, or meet me.

The school district's response to me: leave out the word going forward or we're canceling the 10th and last school visit.


This month, I heard from a school librarian who had been working in San Antonio when that happened, though I didn't visit her school. She now lives in a blue state. Her message meant a lot:

I remember hearing other librarians speak highly about your presentation and they spoke highly about you. We all hated seeing the fallout from the last cancelled day. I can say this, very unofficially, no one on our end wanted your visit cancelled. I am not in the position to bring an author on my campus [I have no budget and admin isn't interested]. So, I am just dropping in to say THANKS for fighting the good fight.

Add this person to the list of San Antonio school librarians who reached out to me while people in their district—and beyondwere publicly calling me a groomer, pervert, and villain, and that makes a grand total of...two.

But I didn't expect them to do so, nor did I need them to. It's not about me. I'm confident that most if not all of the district's librarians agree that all people deserve respect and equity. I understand why they stayed silent. These are fearful times to show empathy. Jobs and reputations, if not safety, are on the line. 

However...meaningful change rarely occurs from within our comfort zone.

We are rapidly approach a breaking point, meaning if more people within the system do not start speaking up, adults in such communities will continue to manipulate kids into elevating white, straight, often Christian people over everyone else.

This comment by a Tennessee librarian who wanted to book me but ultimately couldn't will bring the wounded state of American public school education into even more dire focus:

The school board and others [in the community] do not see you in layers. They see all authors [except Christian authors] as evil. No subtlety.

And such people say we're indoctrinating...

Saturday, December 13, 2025

The Scooby-Doo haunted mansion is real [and really haunted]

Despite having been a Scooby-Doo fan since I could not yet spell "Scooby" or even "Doo," it was only this year when I learned that the gothic house in the opening shot of the opening credits of Scooby-Doo, Where Are You? [1969] is based on an actual place: Seaview Terrace in Newport, RI. 


[It appears that the Scooby-Doo design team was inspired by the house's appearance in the opening credits of an earlier creepy show, Dark Shadows.]

Seaview Terrace [AKA Carey Mansion] is privately owned and not open to the public. It's also allegedly [and appropriately] one of the most haunted sites in America. They've filmed at least one ghost hunting show there.

After I was booked to speak in Rhode Island, I reached out to the real estate company that manages the property to ask if I could come on to the grounds for a mere two minutes to take photos from the same angle.

Unsurprisingly, they said no.

So I found my way to the owner of the property, who did not reply to my first several emails...then in October, she kindly said she would like to honor my request.

But just before my trip last week, she reneged. It's a busy time. I understand. And I'll try again on my next trip to the area. 

In the meantime, I got the best shot I could from the streetLucky for me it is almost winter. In spring or summer, the house is probably mostly obscured by foliage.

I took this photo in 28°, wedged between shrubs, and hoisted at an awkward angle with one foot on a chain-link fence and the other on a low, broken branch. 


For that level of commitment, I think I deserve a Scooby Snack.

Monday, October 20, 2025

Posing with pop culture interview subjects

I've had the thrill of finding and then the privilege of interviewing so many entertainers who meant something to me as a kid...people whose names were not always known but whose work is fondly remembered, and not just by me.

I've had the further thrill of meeting some of them in person. The following photos have already been published on this blog, but it struck me that it'd be fun to compile them in one post.

memorable pimp in Superman: The Movie
2011, New York

Louise Rodricks [Liberty Williams] and Michael Bell
Wonder Twins on Super Friends
2011, Los Angeles
Captain Marvel on Legends of the Superheroes
2011, Los Angeles

singer/songwriter of "Magic" from Ghostbusters
2011, Los Angeles

Janet Cross
video for "If This Is It" by Huey Lewis and the News
2013, New York
2014, New York
video for "Sister Christian" by Night Ranger
2014, Los Angeles

video for "I Can't Hold Back" by Survivor
2018, Illinois
video for "Addicted to Love" by Robert Palmer
2023, London

video for "Addicted to Love" by Robert Palmer
2023, London


Thursday, September 18, 2025

Ten years since Bill Finger added to Batman credit line

TEN YEARS.

Ten years ago today, Batman co-creator Bill Finger’s life changed—41 years after he died. 

DC Comics added his name to the Batman credit line—76 years after the character debuted.

And nine years after I began nudging, then pushing, for that.

where the story broke

Despite what industry experts, trusted friends, and online randos had long said, Bill’s granddaughter Athena, her sister Alethia, and I believed this change was possible.

My beacon was perspective. 

Training a penguin to clean your house? Impossible. 

Opening a Chico’s on Jupiter? Impossible.

Going back in time and auditioning for Back to the Future? Impossible.

Convincing a company [even a massive company] to correct an unjust omission? Doable.

Not that it was easy. Or quick. 

But aside from my family, it was the most exhilarating effort I’ve undertaken.

At a time when it can feel like the better angels of our natures have left the building, I find it even more powerful to look to superhero stories. 

They spotlight people who put others first…not for pay or praise, but because people matter most.

Wednesday, August 20, 2025

“School Library Journal” article: complex subjects in children’s nonfiction

Betsy Bird writing for School Library Journal asked me and fellow authors including Candace Fleming, Chris Barton, Deborah Heiligman, and Carole Boston Weatherford some trenchant questions on an important topic: addressing mature subjects when writing true stories for young readers.

That topic has long been of interest to me [see my many posts with the tag nonfiction], so I would have participated even if Betsy had not used the phrase “successfully discussed subject matter that no one else has ever dared to consider.”

Here’s the collected insight. Thank you again, Betsy, for covering this.


And here is some of the content from my interview that is not in the article:

The through line of my nonfiction is high-profile hook plus mystery in the background. Everyone knows Batman. Few [even among comics geeks like me] knew the full tragedy of his “secret” co-creator. Everyone knows that the Japanese attacked the U.S. at Pearl Harbor in WWII. Few knew that the Japanese also bombed the mainland.
 
But that hook/mystery combo alone isn’t enough—to sustain it, you need drama. Yes, Batman is absurdly popular, but that doesn’t mean that his creation can sustain a book. At school visits, kids clamor “Do a book on the Flash! Do Black Panther! Do Deadpool!” [Yes, some second graders have seen that R-rated movie.] But sometimes a character [or an invention, or an idea] is conceived without friction by a person at a desk. That won’t fill 32 pages. For me, no suspense means no go. Bill the Boy Wonder, however, involved betrayal.
 
And that betrayal involved something I hadn’t seen in nonfiction picture books: a singular “villain.” Often in biographical picture books, the antagonist is a group—Nazis, intolerant white people, men [in books about misbehaving women making history]. In Bill the Boy Wonder, artist Bob Kane, while not full-on evil, lies and mistreats his professional partner, writer Bill Finger. A friend becomes an enemy. You root for Bill—and against Bob. That dynamic gave me delicious grist. Thirty Minutes Over Oregon also had an element that felt new to the format—redemption. An enemy becomes a friend.
 
These stories are not about household names or famous incidents. And they have an underlying darkness to them. Therefore, they were not easy sells to publishers. I find that paradoxical—we well know that kids are drawn to stories with edge. They can handle glimpses of the complexity of the human condition. I feel we need to push kids a little.
 
As I research, I build a list of essential moments to include as well as moments that are like ice cream toppings—I don’t need them, but they’ll make a sweet story sweeter.
 
You can tell with almost scientific accuracy that certain details will be irresistible to kids [and adults!]. Boys of Steel—young Jerry Siegel is so excited to tell his friend Joe Shuster about the character [ahem, Superman] he dreamed up overnight that he doesn’t take off his pajamas but tugs clothes on over them and runs nine blocks to Joe’s apartment. Bill the Boy Wonder—Batman’s cringey initial design [red union suit, stiff wings]. Thirty Minutes Over Oregon—a Japanese naval pilot bringing a 400-year-old samurai sword on every mission for good luck. Fairy Spell— nine-year-old Frances and 16-year-old Elsie claiming fairies emerged only when no adults were around.
 
I strive to write up at kids to show them I respect their intelligence. Part of that is not shying away from unpleasantness. In Thirty Minutes Over Oregon, aimed at upper elementary and older, I mention seppuku—ritual suicide—a single time. [That was a stated reason for at least one of the rejections.] Obviously it’s a highly sensitive topic, even though no character follows through, but it’s relevant to establish the severity of the WWII-era Japanese military sense of honor.
 
In Fairy Spell, Frances and Elsie lie about photographs they take of what they claim are real fairies. But when you factor in the larger context of the story, they don’t seem like liars. The reason they lie in the first place is understandable; I’d argue their “crime” is victimless. A big reason they keep up the lie, revealed at the end, is surprisingly touching.
 
It’s often said that kids need to see themselves in books, which of course is true—but it’s not the only imperative. Kids also need to see characters in books who give them something to aspire to. Or who show them behavior to avoid.
 
Some kids may feel momentarily disillusioned to learn that some adults do icky things to each other, like take credit for something good that they didn’t actually do. Many kids who read Bill the Boy Wonder react indignantly to the way Bob treated Bill—and some fault Bill for not speaking up enough in his own defense.
 
Yes, yes, a thousand times yes! We want these reactions!
 
When kids decry injustice, it gives hope that they will go on to fight injustice on some level. When kids hold the de facto “hero” of a story at least partly accountable for his own fate, that helps them realize that they must hold themselves to the same standard. In other words, when you’re wronged or mistaken, don’t wait around for a hero to save the day. Instead be the hero. Or, more precisely, be the one who tries to improve a situation, hard as that will be sometimes.
 
When kids learn that the duo who created Superman were awkward teens who endured 3.5 years of rejection for their idea, it may inspire other young people [or awkward people of any age] to also try to overcome adversity.
 
When kids learn that a soldier who attempted to bomb civilians as part of his wartime obligation later felt remorse and apologized to those civilians—and they accepted his apology—that is a lesson wrapped in a lesson sprinkled with yet more lessons.

8/27/25 addendum: Here is the extended edition of all of the interviews.

Saturday, August 9, 2025

'Justice League of America" [first series]: cover trends

Certain concepts recurred on the covers of the original Justice League of America series. Here are a few:

beaten heroes on the ground:









hero carrying dead hero:



characters charging at each other:





charging bonuses!:



graveyards:





heroes fighting heroes [most involving Superman]:









spiral formation: