Sunday, August 21, 2011

Super ‘70s and ‘80s: “Super Friends”—Dick Ryal (Captain Cold)

Introduction to series “Super ‘70s and ‘80s.”

Introduction to subseries "Super Friends" (including a list of interviewees).


Notes I took during our initial phone call:

  • He calls himself “Rick” on his answering machine and his last name is pronounced “rile.”
  • When I called him, he said he would be happy to help.
  • He is “no longer an electronics person.” No computer.
  • He retired twenty years ago.
  • He spent his first sixteen years in Elmira, New York.
  • He’s not in much contact with people except a few family members and friends; most have either “moved away or passed away.”
  • He was both actor and writer on Heartbeat Theater from 1971-1986 (when the show went off the air). Olan Soule (Batman) also worked on the show.
  • He also played Abin Sur, the mentor to Green Lantern.
  • He didn’t know Super Friends is on DVD.
  • A good friend of his was Stanley Ralph Ross (Grodd). He was also friends with Stan Jones (Lex Luthor).
  • I asked if he’d like to reconnect with anyone from the cast and he said yes. On Michael Rye: “I’ll look forward to seeing him.”
  • He never hustled. He always counted on his agent and manager to get him work.
  • Because of my last name and street name (which at the time was Bible Street), he asked if I am a man of the cloth.
  • I told him I lived in Los Angeles once and he told me an anecdote of a little boy who once asked him for an autograph and seemed to be wondering if that could’ve been me.

How did you get the job on Super Friends?

That’s something I have to think about. I had to audition, of course. The ABC executives liked me but the director didn’t like me. I don’t know why. I do know why. An agent had already sent somebody else but a subagent sent me at the last minute. I was surprised to win the part. I had no preparation. They auditioned 20 people for Captain Cold.

Were you familiar with Captain Cold before you got the job?

No, I was not into children’s [sic] books in that manner. I did like children’s books but had never followed that particular series. Being older, I knew the books from the 1940s and the heroes in comics of that era.

What was your idea behind the characterization for Captain Cold?

All they said was “Create a character.” I did a tough guy voice. It was kind of streetlike.

Sounds like you’d already worked with some of the other voice actors before Super Friends.

Oh, yes.

What challenges were involved in recording SF?

It all went smoothly. The one wonderful thing about a radio actor: I found later when in TV and motion pictures [that] we were probably liked because we were one-take actors. I discovered I could memorize a whole page in 10 minutes. I realized being a radio actor did not limit you.

Of the episodes you were on, do you have a favorite?

I wouldn’t say I had a favorite. There may have been an episode but it’s been so long.

It must have been a different feeling in the 1970s to see your show on TV and then feel you might never see it again because VCRs and DVDs didn’t exist yet. Do you now own any Super Friends DVDs?

[He said no and I ordered him the DVD as we spoke.]

Did you all stand around at the same time to record?

Yes. We sat on stools in a long line. We each had a microphone.

How much time, if any, did you spend with the other voice actors when you weren’t working?

I used to ride with some of them [including Mike Rye] to Hanna-Barbera. We might stop for lunch but usually not. Stanley Ralph Ross and I would occasionally meet at the Writers Guild theater and see a movie. I would meet them here and there if we were going for an audition.

Did you get any Super Friends fan letters in the 1970s or 1980s?

Oh, yes, but not through the studio. Sometimes they would send it to the network and the network usually doesn’t care about that sort of thing.

Specific Captain Cold letters?

Yes, there was a little boy who formed an unofficial fan club. Whenever he would see me, which he occasionally would coming out of a bank, he’d ask me for autographs. The artist at the studio actually drew my image and then he dressed me. I happen to look something like Captain Cold.

I don’t have any letters. I remember throwing most of that away probably 25 years ago. Voice actors didn’t think anybody cared! Voice actors and writers for that matter don’t get plaudits like film stars. We’re the forgotten ones! (laughs)

Nobody knew if the show was going to be a success. I remember getting some checks and then nothing. You said it’s on DVD—should I be getting checks for that? (laughs) I don’t know. I’m a member emeritus of the Writers Guild.

What does that mean?

A title for somebody who has been successful as a writer. I have quite a few awards hanging on the wall. I even have the Peabody Medal. I found one credit page at 6 o’clock this morning. [he shared some of his other work]

Do you still have any of your SF scripts?

No, they always asked us to turn those in, as is usual. I never kept them.

Do you have any other SF memorabilia from the era (i.e. birthday cards signed by cast members, etc.)?

No. I might discover something later. I may have had some stuff with the agent but they threw out $2,000 worth of stuff (film excerpts on professional sized tape, etc.)!

He did have something—something quite distinctive, in fact:
a page from a DC Comics calendar with signatures of many of
the Legion of Doom voice actors
(though only five of the LOD's thirteen members are in the scene).


How do you look back on your time on SF?

Lots of fun even though the director didn’t like me. I enjoyed it very much. I’ve been retired so long I’m used to being a zombie. An actor is half dead if he isn’t working.


1993

What are you doing these days?

I do a lot of traveling about. I like to see things and go places in California. I also like to go to different restaurants. I’m not fat, I’m slender, but I like good food. My entire fortune went in the Lincoln savings and loan scandal in 1988. Keating absconded with $6 billion.

If you have children/grandchildren, how old?

I inherited a child, a son, from my wife. She died of Alzheimer’s a few years ago. We had a wonderful relationship. She was a model, a beautiful girl, one of those drop-dead pretty ones. Being of an artistic bent like myself…we had our own apartments. If we had a tiff, we’d go back to our [respective] apartments. Then we’d come back together. And that made for a successful marriage. One reason is that we lived in Hollywood. We were young and we did party a bit but I didn’t care for it as much as she did.

When did you get married?

About 1965.

Are you still in touch with her son?

No, I don’t know where he is. He’s a middle-aged man. We got along well enough but he went his own way. That was before she died. It wasn’t unpleasant.

Was he around when you were doing Captain Cold?

He was not in Hollywood at the time.

[Then he mentioned The Zero Hour, a Rod Serling radio show he worked on.]

Did you meet Rod Serling?

Oh, sure. He didn’t come all the time. He was still in New York. I have no memories of him in particular.

Has anyone else interviewed you about SF?

No.

Have you ever participated (i.e. signed autographs) at a comic convention? If not, would you be willing to (if the convention paid your way)?

Of course. I’d love to meet you anyway. I’d love to see those of us remain.

Anything else about the experience I didn’t cover that you’d like to add?

No, other than that I’m delighted that you got in touch with me. I almost hung up on you. Not because of you but because I was working on my phone. [though he did then mention getting solicitation calls and being irritated] [But] you made my day.

And so Captain Cold brings a warm finish to the Super Friends oral history. Next: the Sea World water skiing superheroes show.

Saturday, August 20, 2011

Super ‘70s and ‘80s: “Super Friends”—Marlene Aragon (Cheetah)

Introduction to series “Super ‘70s and ‘80s.”

Introduction to subseries "Super Friends" (including a list of interviewees).



How familiar with the DC characters were you before you got the job?

Didn’t know the characters…they were new [to her, presumably].

1979

How long did it take to record an episode?

That depended on the episode and how many characters were in it and how the director felt about the performances. Two hours?

What challenges were involved in recording SF?

Sometimes my throat would be pretty overworked with the strange constricted sounds I would make as Cheetah. Good performances can be demanding of actors.

How did Super Friends rank in terms of series you worked on?

This was a favorite series. I liked Jem a lot also.

How much time, if any, did you spend with the other voice actors when you weren’t working?

Other voice actors and I would spend time in voice-over classes and having snacks or some parties occasionally. I made some good friends. Many laughs.

Are you still in touch with anyone else from the cast?

Not at this time…[though I did] talk to Wally Burr the other night.

Were you exclusively a voice-over actor?

I also spent time as a singer and commercial actress on- and off-camera.

If you have children/grandchildren, what are their ages?

I have one son, late forties, and two grandsons, 10 and 7.

And if so, what do they think of your time as a super villain?

Get a big kick out of all my voice/musical work.

What have you done since Super Friends?

I produced my own children’s book/cassette combo. Piggelty-Woo and Songs for You and Piggelty-Woo Shares Feelings With You. Wholesome products for infants to 7- or 8-year-olds. I sold a bunch of them and still have a little inventory. That’s one reason I wasn’t working on too many cartoons—that was 1986 and 1987.

2008

Do you have a way for people to order your book/tape combos?

Yes, they may e-mail me—all fans get special discounts and they can burn CDs from the cassettes. Books are in color. [I also have a] jazz CD Improve ‘99.

NOTE: Marlene says that a portion of the proceeds go toward the Neighborhood Congregational Church of Laguna Beach (CA).

Next: Dick Ryal (Captain Cold).

Thursday, August 18, 2011

Super ‘70s and ‘80s: “Super Friends”—Liberty Williams (Wonder Twin Jayna)

Introduction to series “Super ‘70s and ‘80s.”

Introduction to subseries "Super Friends" (including a list of interviewees).



Notes I took during my initial phone call with Liberty Williams, now Louise Rodricks:

  • Ultra-sweet and polite: “May I call you Marc?”
  • I explained how she was one of the harder ones to find and she was not surprised by that.
  • Her name “Liberty” came not from the bicentennial as I’d guessed but from a ham sandwich served at a club she performed at in Hawaii. (That was going to be my second guess.) Full story below.
  • She and Mike Bell (Zan) are really funny together.
  • I asked if she’d rather do interview by e-mail or phone and she said phone because it might trigger her memory more.

How did you get the job on Super Friends?

I auditioned for Hanna-Barbera and it was the first time I had gone up for any kind of voice-over. But I had been doing a lot of on-camera sitcoms. I got a call back and got it. It was kind of beginner’s luck in that arena.


Liberty Williams in Tabatha pilot (1977)

Do you remember what they told you about Jayna?

She was the youngest member of the Super Friends and she had a twin. Her power was she could turn into any kind of animal. The twin could turn into any kind of water. They worked for this group of super-beings.

Were you familiar with the other characters before you got the job?

I grew up knowing about Superman and Wonder Woman from comic books.

You wouldn’t describe yourself as a fan, though, right?

I don’t think I thought about it one way or the other. I thought of them as positive characters. But I was never like “Oh my god, if I get this part I’ll be one of the superheroes.” (laughs)

Did you audition with Michael Bell [who played Jayna’s twin brother, Zan]?

We saw each other the first time for the first read. You got the script when you went in. You were standing in a row. Everyone had a music stand and a mike. I stood next to Mike. We had this gesture “Wonder Twin powers, activate!”

Did you do the gesture in person?

You mean as we were recording it?

Yes.

Yes [we did it while recording].

Every time?

I think pretty much every time. I don’t remember exactly. It got your energy up.

Michael Bell and Louise Rodricks, 2011

Jayna was smaller and shapely. I don’t know if they had me before her or her before me. (laughs) Not that we looked identical but there was a certain look about her [that I shared]. I worked with Shannon Farnon. She wouldn’t have been Jayna and I wouldn’t have been Wonder Woman, if they were casting it for live-action TV.


You didn’t get the script till you went in?

That’s what I remember. Because you were reading, you didn’t have to memorize it. Or they may have given them to us the night before.

The Wonder Twins gesture became quite famous. Did the other voice actors get a kick out of it?

I just remember our arms would go up. Everyone was concentrating on their next part so it wasn’t like “Oh my god, those crazy twins are doing it again!”

Did you know Michael Bell beforehand?

Yes. His wife Victoria (Vicki Carroll) and I were two of the original Groundlings in Los Angeles. A lot of famous people have come out of [that group].

But did you know that he was up for the part of your twin?

No. I had no idea. And even when I got cast and went in, I didn’t realize until later that Mike and Casey Kasem [were part of it]—these were pretty well known guys in this part of the profession. At first I didn’t realize I was working with celebrities in their field.

What do you know about the development of the Wonder Twins? (Unlike many of the other characters, they were not in the comics.)

They were like the scouts. All the other heroes were mature. All of them in terms of other cartoons and comics and films and stories had been around for a really long time. Jayna and Zan were developed just for Super Friends. They were brought in to attract the kids.

Do you know anything about how they determined what they’d look like or what their powers were?

I think we were the only ones of the heroes who could transform. I thought Zan’s water power was odd.

Did you contribute any ideas to their characterization and/or suggest animals for Jayna?

No. They had writers for that. It wasn’t the kind of creative process where we would go in and talk up a story. Some things are like that but we weren’t participating in that way. And you were sometimes doing more than one episode at a time.

What challenges were involved in recording SF?

Because it was my first voice-over job, I remember really watching the pros to see how far they stood from the mike, how much they projected, how far they went with their characters. But it wasn’t Shakespeare.

Mike Bell said you guys had a good laugh sometimes.

Yeah. Sometimes choices the voice actors would make with their voices on secondary characters made us laugh. I think it would be fun to get the twins together (at a convention). If we were together then it would be fun.

Do you see Mike Bell socially?

Vicki and I are old friends. I saw Vicki at a Groundlings reunion. We run into each other at Whole Foods but we don’t get together for dinner or movies. My family was in New York for seventeen years [and came back to Los Angeles in 2000]. At our age you’ve gotten into your own routine with your children and so on. We’re happy to see each other—we always exchange numbers and say we’ll get together…but never do. (laughs)

Did you spend time with the other voice actors when you weren’t working?

No. We were all in different circles, except for Michael Bell’s wife. I knew Michael more than I knew the others.

Which voice actors were you most friendly with on the job?

I would say Michael. And everyone was very cordial. It was different with a sitcom where you’re together much more.

Have you bumped into any of them since then and recognized them?

Michael’s the main one, and Casey.

Do you remember a favorite episode?

All the episodes seem the same. Do you have a favorite?

[I answered]

Do you remember any episodes?

I have a vague feeling of [my character] always being naïve. Between Gleek and Zan and myself, we were always tripping into trouble.

Did you know that the names Zan and Jayna came from Tarzan and Jane?

No. (laughs) But it’s sort of obvious because Tarzan had a monkey and we had Gleek.

(laughing) Did you get fan letters?

I may have but I don’t remember. I could be getting it confused with other shows. I never kept any fan letters, which is unfortunate now. We didn’t know [to save them]! Before the Groundlings I was with a comedy group called the Good Humor Company. We opened for Bobby Darin in Vegas. Some of the cast members of that saved some of the reviews.

I heard about a party or two at Danny Dark’s at which you guys did sketches poking fun at Super Friends. If you were there, what do you remember about that?

I don’t know if I got invited to any of those.

Do you have any other SF memorabilia from the era (i.e. birthday cards signed by cast members, etc.)? Anything with Jayna on it?

No. I just want the costume, okay? I think we should get the costumes. (laughs)

Where did the name “Liberty” come from?

I was working with this comedy group, the Good Humor Company. (I went to NYU School of the Arts and went West in the early ‘70s.) We got invited to Honolulu to work at the Forbidden City Theater. The owner paid for us to come over and rented house for us to live in for a few months. But he didn’t do any promotion to change the image of this theater which was formally a strip club. This was a three-girls, three-guys musical comedy variety show, so we would get ten non-English speaking drunk sailors a night. They were there for one kind of show and we gave them another.

There was a deli [nearby] that had a Liberty Sandwich. We’d smoke weed to get through a show. And one of my group (Joe Denoba, the leader of the Good Humor Company) once got stoned and as a joke introduced me as Liberty Williams because Liberty sounds like a stripper. It turned out that there was a person there to review the show that night, so he wrote my name as Liberty in a good review and it was picked up by the people at Thunderbird Hotel in Vegas, where we went after. [I didn’t plan to keep the name but] they asked if I could go by Liberty because they had already done all their ads with Liberty, and I said why not. (laughs)


Do people still call you that?

Some do. Michael Bell sometimes does. I used it professionally for just a few years. But when I got on to a sitcom called Busting Loose, Adam Arkin (Alan’s son) said if you ever want to go back to your real name you should do it now when you have a show on for more than an episode.

When was the last time you saw a Super Friends episode on TV?

I don’t remember seeing the episodes on TV and my son wasn’t born yet. Are they on DVD? I’d like my son to see them. When I moved to New York [and stopped being Jayna], he was two-and-a-half. They tried to find me for some other event, a finale, but they couldn’t find me.

They should’ve called me!

(laughs)

When was that?

Mike Bell would know.

Was this for the Cartoon Network promos of the 1990s?

That might have been it.

What are you doing these days?

I’ve gotten new head shots. I’m with an agency called Commercial Talent for commercials and voice-overs for commercials (but not cartoons). I’ve gone up for [parts in] video games. I just started this in the last 4-5 months. I’ve started to get callbacks but I haven’t gotten hired yet. When I was younger I would be going out [on] a lot [of auditions] and odds were you’d get one out of 10. Now I’m going out less—maybe 6 times a month.


[Also, in 2011, Liberty launched Green Spoon Chef.]

How much of what you could book now would depend on what you’ve done before?

You can see people’s credits online now. I think it helps to have been in the business before. The agency has to figure out what slot can she fill?

Have any of the casting directors commented on the fact that you were Jayna?

[I didn’t transcribe her answer as she spoke, but she said something to the effect of no, she doesn’t have Super Friends in her credits. I said not only was it a steady gig of eight years, but it’s part of pop culture history and lots of people of a certain age would respond fondly to hearing she was Jayna. She said maybe she will put it back on her résumé.]

You’re sort of a superhero type yourself.


How do you figure?

You sound like a really good dad. You sound wholesome. A noble man.

Thank you. It can be a hard name to live up to! If you have children/grandchildren, how old?

My son John [was born in 1981]. He was diagnosed with ADD. He had difficulty when he was younger [but he’s gotten past that]. He’s a superhero in my eyes. He’s real handsome and has a pretty girlfriend. He’s on his way.

What is he in school for?

He felt like he had lost most of his twenties. He decided to go to the Vidal Sassoon Hair Academy in Santa Monica, but he’s straight. (laughs) He gets a lot of positive attention there [from both beautiful women and gay men]. It turned out to be a brilliant thought. He could be a colorist in a high-end salon and do well [fairly quickly]. He’s got a really good eye for color. They learn the bones and the structure of the face. He’s very coordinated.

What does John think of your time as a superhero?

I’ve done [familiar shows like] Three’s Company and they’ve been rerun a lot. And when his friends find out, they’re like, “Kudos to John.” He just rolls his eyes about his mom. I’m just as nutty now as I was then.

He’s an only child?

When I met my husband, he was a singer-songwriter. He went into business contracting but it got repetitive. An elderly teacher friend told my husband “You could be a doctor” (when we were in our thirties). He decided to do post-grad premed at Columbia. We sold our house in California and I left my career. [I was 36 and] our son was two-and-a-half. We went to New York. My husband worked in a lab at Cornell, then went to New York Medical College. Medical school became our second child. It didn’t seem like there was a reasonable way to have a[n actual] second child.


We lived in a really big loft on 4th Avenue and 10th Street in Greenwich Village. We lived extended family style. We lived the three of us and four other adults. A lot of time they were students who were finishing medical school or law school. It was set up a bit like a boarding house. Everyone had to meet and approve of new people. We screened. That’s how we could afford to live there. We shared a living room and kitchen as common space, one bathroom as common space, and a laundry as common space [and we had some private space]. We had a food jar where everyone put in $10 a week back then [and we took turns] shopping for the staples. As a group we’d decide what the staples were. Everyone had at least an hour a week of cleaning in a certain area. We had a basketball hoop in the inner living room. My son learned to ride his two-wheeler inside because it was big.

Has anyone else interviewed you about SF?

No.

What did you think when you first heard why I was contacting you?

I thought it was kind of wild. I wasn’t aware that there was this interest. It made me think of that movie Galaxy Quest. It’s a really good movie.

Are you aware of the influence that Super Friends had on the current generation of comic book writers?

No. I’d be interested in knowing.

[I said that between an appearance on Smallville (she knew the show but not that Zan and Jayna had appeared) and the high-demand, limited edition figures at Comic-Con 2009, the Wonder Twins have never been cooler. There’s even talk of a movie.]

That would be so much fun. My estranged husband—we’re very close. When I told him about you, he said, “Oh my god, you never know what will lead to what.”

Wednesday, August 17, 2011

Super ‘70s and ‘80s: “Super Friends”—Michael Bell (Wonder Twin Zan, Riddler, Gleek)

How did you get the job on Super Friends?

I auditioned like all the other actors. When that didn’t work, I told them I was Bill Hanna’s illegitimate son. I was hired the next day.


Michael Bell on Charlie’s Angels (1977)

How long did you have the job?

I can’t recall. I think a couple of years. I was stoned most of the time.

Please tell me you’re serious.

Well, I once recorded Smurfs hung-over as a result of eating a whole loaf of cake (unbeknownst to me) laced with marijuana the night before. Went to work to sing “La la la la la la” wearing dark glasses. Don’t know how I got through the day.

How familiar with the characters were you before you got the job?

As a kid, I was a comicaholic. I was very familiar with all the superheroes and villains except for Zan, Gleek, and Joe Barbera.

Which episodes/years were you on SF?

You probably know better then me. The only years I am familiar with are those that mark my physical emergence into manhood and the cost of Kleenex.

How long did it take you to record one episode?

It took us a few minutes to record and several hours to stop laughing.

What challenges were involved in recording SF?

Once I recall being attacked by my mike, but realized I was stepping on the base which caused it to tilt at me. I was in therapy for years as a result.

How did working on SF compare to other animated series you worked on? (Related: what has been your favorite series to be a part of?)

I was sooo busy running from one series to another, I am unable to compare. As I look back, it all seems like an amazing dream.

Of the episodes you were on, do you have a favorite?

I loved playing the Riddler. I can’t recall the episode.

Were there any you ended up being disappointed with?

How could I be disappointed? I was doing what I loved to do. However, I was disappointed in the coffee.

How much interaction did you have with the writers?

Not a great deal. Truthfully, I thought I wrote it. Writers? Huh?

How much time, if any, did you spend with the other voice actors when you weren’t working?

We all slept together. I am still going to a dermatologist because of it.

Which voice actors were you most friendly with?

Frank [Welker], Jack [Angel], Shannon [Farnon], and the late, great Danny Dark.

Any interesting stories about the voice actors?

Nothing comes to mind. They were a pretty dull lot. No personalities at all. Very depressing. Brought me down.

Were any voice actors like—or completely unlike—their characters?

Shannon would jump off a chair every now and then ask the guys if they wanted to arm wrestle and Jack would ask her what the island of Sappho was like and do they allow men?

Did you ever get letters from fans, and if so, do you still have any?

I get letters from fans now. About several thousand a day. Most of them ask for money.

Do you still have any of your original SF scripts?

Used to but not any longer. I have a trillion Smurfs scripts, a couple of Jonny Quests and several Rugrats…and an original Star Trek. I think I also have a porno version of the Smurfs. Wonder where that is?

Do you have any other SF memorabilia from the era (i.e. cards signed by cast members, etc.)?

I have Shannon’s chair. I sleep with it.

Was there ever a SF cast and crew party of any kind?

Are you kidding? We had a huge going-away party. There were nut cups, some Cheez Whiz, and a package of Fizzies and Pop Rocks for everyone. We all dressed in our costumes and Jack Angel came out of a cake.

Okay, no party. Everything just ended. Doors closed and poof…all gone!


I was the last voice recorded at the studio…umpteen years later. It was for a promo for something. I was Zan. FOOOORM OF KAKA!

How aware are you of the influence that SF had on the current generation of comic book writers?

Not aware at all. I live in a cave in Griffith Park and don’t get out much except to kill.

There’s a huge heap of writers (i.e. me) and artists working today who were coming of age with the Super Friends and many cite that. Many incorporate stuff from the show into the comics. They even made Wonder Twins action figures. I assume you don’t want them.

I love Zan and Jayna. They are so metrosexual. If you have any action figures that are anatomically correct, I want them.

Do you ever get e-mails from SF fans?

Never. They know better.

When was the last time you watched one of your SF episodes?

I watch them every night…in the dark…remembering those days when I was a contender.

How do you look back on your time writing SF?

I never wrote for SF? How could you not know that? Who is this?

[NOTE: I goofed and kept in a question from someone else’s interview.]

What about Plastic Man [whom Michael voiced in his eponymous series]? How did that compare to SF?

Easy! I didn’t have to break the door down when I forgot my key—I just became my key.

Any funny stories in recording PM?

If you mean why did we have a closed set, it was because I would only work naked. I learned that at Actor’s Studio. Very helpful.

[NOTE: Plastic Man is part of this series.]

What are you doing these days?

I nap a lot. Also, when I am called by my agent (who also ushers at Grauman’s Chinese Theatre), I audition for minor roles in series and usually lose out to former celebs like Erik Estrada, Lee Majors, or Richard Simmons.

[laughed then pressed for an alternate answer]

I occasionally direct graphic motion comics. Did one called Sparks. You can find it on the web. Worked on BOOM! Studios’s Irredeemable with many wonderful actors including David Sobolov, Gregg Berger, Loren Lester, John Cygon, Susan Savage, Shane Sweet, Justin Shankerow, Lynnanne Zager, Kent McCord, Vyvan Pham, Wil Wheaton, and a host of others. I love directing. Wish I did more.


Are you still voice acting?

Whenever I get the call.

Do you have children/grandchildren?

I have a child. She is an actress. She is not only gorgeous, she is a major talent. [Ashley Bell, who got rave reviews for her performance in The Last Exorcism]

What does she think of your time as a superhero?

She knows I am not a superhero because she is the one that carries in the Christmas tree all by herself. She is stronger and faster than me. I should have had her when I was 20 instead of 47. However, I can shout louder than her, so there!

Has anyone else interviewed you about SF?

Over 400 others. No one has ever heard from them again.

[laughed then pressed for an alternate answer]

Fangoria is one. I can’t recall the Internet ones.

Have you ever participated (i.e. signed autographs) at a comic convention? If not, would you be willing to (if the convention paid your way)?

I went to one in August in New York and then another one in Birmingham, England in 2011…if my legs and spleen hold out.

Can you suggest any other people (other writers, producers, directors, cast) who were involved with SF that I could try to interview?

Just the parking lot attendant and he is in prison.

Anything else about the experience I didn’t cover that you’d like to add?

I am available for work. However, since the new Smurfs film was cast with celebs, my outlook is bleak. I am going to take a nap now. Leave me alone.

I assume you’d be game for an in-person cast reunion? I’m sure we could arrange for a cot so you wouldn’t miss any naps.

A reunion would be fun. Hope you have large supply of Depends.

NOTE: On 7/19/11 in Los Angeles, I had the honor of helping to reunite Michael and Liberty Williams (Jayna). Michael elaborated on his “last voice recorded” comment above. He told us both that the last recording done at Hanna-Barbera (before Warner Bros. absorbed it in 2001) was a Wonder Twins promo (which featured another voice actor as Jayna because they were unable to locate Liberty). 



Tuesday, August 16, 2011

Super ‘70s and ‘80s: “Super Friends”—Fernando Escandon (El Dorado)

Introduction to series “Super ‘70s and ‘80s.” 

Introduction to subseries "Super Friends" (including a list of interviewees).
How did you get the job on Super Friends?

Regular audition.

How long did you have the job?

For the duration of my character.

How familiar with the characters were you before you got the job?

Super Friends was one of my favorite shows.

What do you know about the creation of El Dorado? (As you probably know, he was created for the show and had not first appeared in comic books.)

Yes, during the audition, I was informed that it was a new character.

Did you ever find anything about El Dorado to be stereotypical or inaccurate with regard to Hispanic heritage?

Never thought about it. It was obvious to me that Hanna-Barbera and ABC tried to appeal to the ever growing Hispanic population in the USA. Nothing wrong with that.

How long did it take you to record one episode?

Two hours the most.

What challenges were involved in recording SF?

Keeping up with all the pros I was working with.

Of the episodes you were on, do you have a favorite?

I loved them all; I [also] have a special satisfaction doing my dear “Frollo” in The Hunchback of Notre Dame, the Spanish/Latino version. Maybe because I had the opportunity to act and sing a few songs.

Were there any you ended up being disappointed with?

Never completely satisfied on all of them; always convinced that I could have done better.

How much interaction did you have with the writers?

The necessary.

Which voice actors were you most friendly with?

Frank Welker, always a gentleman.

Can you please give a few examples of what you did socially and with whom? Go to a movie? Play tennis/golf? Visit each other at home?

The only time I had any contact with any of them was at the time of recording. I guess we were all too busy doing our own thing. At least I was.

Were any voice actors like—or completely unlike—their characters?

They were all perfect.

Did you ever get letters from fans, and if so, do you still have any?

Yes, I received some; do not know where they are now.

Do any fan letters stand out? What have fans written to you besides “I loved SF”?

I remember one surprised me by saying that El Dorado is his favorite character.

What brought your time as on SF to an end?

It just ended. Do not know of any reason.



How aware are you of the influence that SF had on the current generation of comic book writers?

Have no idea.

Do you ever get e-mails from SF fans?

I got some but do not know where they are.

When was the last time you watched one of your SF episodes?

Do not remember.

How do you look back on your time on SF?

With a big smile.

What are you doing these days?

Same thing—voice-overs.


Do you have children?

A son and a daughter.


What do they think of your time as a superhero?

They are happy/proud about it.

Has anyone else interviewed you about SF?

Yes.

Have you ever participated (i.e. signed autographs) at a comic convention? If not, would you be willing to (if the convention paid your way)?

No, I have never participated and thank you for the invitation.

I’m not clear if this means you would be willing to participate in conventions?

No time.

Are you in touch with anyone from the cast?

No.

Would you like to reconnect with any of them?

Thank you, but no time.

Can you suggest any other people (other writers, producers, directors, cast) who were involved with SF that I could try to interview?

Since most of my recordings/voice-overs I now do in my own booth/office via ISDN, I have not had [recent] contact with any of my dear colleagues.

Anything else about the experience I didn’t cover that you’d like to add?

You did a good job.

11/10/21 addendum: Today I learned that Fernando passed away on 9/22/17.

Monday, August 15, 2011

Super ‘70s and ‘80s: “Super Friends”—Buster Jones (Black Vulcan)

Introduction to series “Super ‘70s and ‘80s.”

Introduction to subseries "Super Friends" (including a list of interviewees).



Tell me about your life before Super Friends.

I’m from Paris, Tennessee. I’m a single child. I have a half-brother and half-sister because my father remarried. I go back every year to my high school reunion. I was just talking to my first girlfriend who still lives there, has four kids. I’m an old disc jockey. I was doing it before voice acting. Once I was working at a nightclub and my friends threw me surprise for my birthday and hired a [woman with an adult profession] and it was my little sister! I hadn’t seen her since she was 12 and I was six. (My mother and father split when I was six.) This event changed her life. She went back to school and went to Howard University. I got her in. I worked in Washington DC as a disc jockey (rock and roll and jazz) and had influence in Washington. Today she’s in Canada. I got her a job with a band. She’s a very good piano player. I haven’t heard from her now in 4-5 years.

How did you get the job on Super Friends?

I was with a company called Cunningham and Associates, for commercials. They sent me out on an interview.

How familiar with the characters were you before you got the job?

They made them up as they went along. Black Vulcan was Hanna’s project. You just walked into the studio and they told you who they wanted you to play. Scatman Crothers was there, too, part of the same company.

Do you know who created Black Vulcan?

Either Hanna or Barbera.

How did you feel about the character?

I was just glad to get a job, man. I had no idea if it would last for 13 weeks or one day. I was doing about five or six cartoon series. The shows we do are now being done by Japanese people. I still watch cartoons. Andrea Romano—I was going to call her.


Did you feel the character was stereotypical?

(Laughs) Who cares? I was just glad to get a job that lasted more than a day. Those jobs have disappeared completely. I don’t even have a voice acting agent anymore. I have a music agent. I do drums and guitar and saxophone. Last time she sent me out and all I did was clap my hands.

Would you want to get back into voice acting?

I want a job doing anything I can. I’m on pension and trying to live off of that. I’m broke. I’m trying to find a new agent. There’s not much work around. Now I have a studio in my home so I can record from home. And I opened my own record company—Buster Jones Records.

Of the episodes you were on, do you have a favorite?

I did so many. I think the cartoon series was sold to another company and I remember the girl who bought the company moved to Canada. I had to go up there to Saskatchewan and do about three or four Super Friends shows. Three other cast members were there—the bad guys. All the villains were played by two guys—white guy and black guy. Chris had a screechy voice. A bruiser kind of guy—Arthur. [NOTE: I don’t know who he is referring to here and suspect he may be confusing this memory with another.] Frank Welker got rich doing voices.

Do you own any Super Friends DVDs?

No, I had no interest after the show closed. I was too busy trying to find other work. It paid quite well. I lived off it Super Friends and other cartoons for about 3-4 years. I did get some of the cels. I still have them.

Variety 10/17/86

Are they just of Black Vulcan or other characters?

I did Black Vulcan and Mandrake the Magician.

Which voice actors were you most friendly with?

I just saw one of the black guys—Globetrotters. I hung out with Casey Kasem. In fact he hired me to do one of his American Top 40 shows. This was on the radio every Saturday morning. Whenever he went on vacation, he would call me to come in and do it for him. It lasted about two or three years in the middle eighties. It was a lot of fun.

I’ll name other Super Friends actors and please tell me what you remember. 

Danny Dark: I remember Danny. He had a great deep voice.
Jack Angel: He married one of the girls who worked for Cunningham, Arlene Thornton. They now have a cartoon studio. The Arlene Thornton Agency—I was with them for a while. He was a good friend and he got sick and I lost contact.Olan Soule: (didn’t remember)
Mike Rye: (didn’t remember)
Shannon Farnon: I remember her. I was in love with one of the women but don’t remember which one. [MTN: I believe he meant Sarah Partridge, with whom he worked on Defenders of the Earth and who is now a jazz singer.]
Wally Burr: He’s a good guy. He got me all these jobs.

Do you have any fan letters from the 1970s or 1980s?

It went through the agent. There were a few letters that I got from kids back east. There was one kid from Connecticut who always wrote me when I was doing Super Friends. I always answered him.

Do you still have those?

Some of them I do. I used to answer the ones that got through to me. I’ve lived in three houses since then, always in LA.

Do you have any other photos of the cast, either at work or play?

I do. I have a photo of the whole cast. I have [a picture/possibly a cel] of Black Vulcan. Mandrake was on Super Friends, too. [NOTE: Mandrake was on Defenders of the Earth.] I’ve got a placard here. “Marvel Productions Inc.” It’s a collector’s item. The studio sent me this and I kept it because it was so impressive. Hanna and Barbera were good friends of mine. We talked all the time on the telephone. They always called me to ask if I wanted to participate. They got so big because they were cartoonists. They could draw their butts off.

Did you attend any of the parties at Danny Dark’s house?

No, [Danny and I] had the same agent. Cunningham. I’m still getting checks from them—but it’s run down to 13 and 14 cents.

How do you look back on your time on SF?

Very good. I wish it was still running. It was quite lucrative. I was up to 287 pounds during Super Friends. Now I’m 167 pounds.

[He then brought up the love of his life but said “I can’t remember her name to save my life.”]

What do your children and grandchildren (if applicable) think of your time as a superhero?

Never married. No children. My parents have passed away. I have three cousins in Chicago. I have a girlfriend now in Palm Springs.

Has anyone else interviewed you about SF?

[No.] A long time ago, in the 1960s, a girl from England did an article about my radio work. I don’t know what publication.

Can you elaborate?

I lived in North London for almost a year when I was 11-12 years old. I graduated Central High School in Paris, Tennessee. All through high school I had a band called the Thunderbirds. I got out of Paris by playing music. I went to Lane College in Jackson, Tennessee. I got into a band and then got a job with WJAK in Jackson as a disc jockey. The second year working in Jackson I got hired by Louis Brooks and the Hightoppers to go to London to play drums. They’d heard about me working in Jackson and brought me to London. After a week, they left me in London with all the bills. I was about 18 or 19. I never saw them again. I had to find a way to get back to America. I was in London about two years. During the week I paid for the hotel I was living in by washing dishes at a club. I was working in a boat on the Thames on the weekends.

[He explained that he was one of the DJs on the boat like in the movie Pirate Radio.]

I flew back from London to east coast and then took Joe Cocker’s bus to LA but I don’t think I even met him. I wasn’t doing music. I was taking care of uniforms. Working for the band was my way of getting back to America. A guy whose name I can’t remember really helped me, hooked me up with the band. [He really wanted to remember this man’s name as he felt indebted to him.]

Have you ever participated (i.e. signed autographs) at a comic convention? If not, would you be willing to (if the convention paid your way)?

Yes, I would.

Anything else about the experience that you’d like to add?

You got me all fired up reliving all this old crap.

NOTE: When I returned the photos he kindly mailed me to scan, I also included the first-ever Black Vulcan action figure, which came out in 2009. He called to thank me for sending his stuff back. When I asked about the figure, he said “Who is that, Flash?”

9/16/14 addendum: Buster Jones passed away today.


Next: Fernando Escandon (El Dorado).